Dale Martin Smith

from “Figures of Speech”

inside the Time Machine is

it sorrow or joy across

distances I find little minutia

candles and candle wax melted

on green Jaeger bottles lowkey

banter of men watching golf

two days after the world

president demanded mineral thanks and

Mom remembers in me DNA

is a helix entanglement or

what they call code I

dislike metaphors usually it’s like

drones on the winter horizon

dead hostages and local election

skewed to the worst asshole

candidate of blind attention bearing

our bodies to each other

figurative destiny it doesn’t matter

except in relation when I

wept in mom’s lap when

uncle John died hot July

highway his heat in her

memory to her child I am

alive in wide external making

*

art is mystery artifice form

relies on external witness to

meet what words act as

if equivalence sutured this life

crow’s view into trees barren

dark of self my wit

slow but earnest in the

mean of my people ghosts

who whistle through my desire

the figure is sound and

image and the touch and

smell of material pain this

earthly paradise I so insist

to carry the motion of

textures blended in half memory

of maternal circumstance no one

knows where a poem goes

it’s our family to arrange

what I meant when I

speak a phantom voice a

spectral cloud closes on horizons

her eyes ears nose mouth

inconnu stepping into this matter

of mobility under live oaks

breaking light into local varieties

and so burden the irretrievable

Dale Martin Smith lives in Toronto, Ontario. He recently edited An Open Map: The Correspondence of Robert Duncan and Charles Olson and Imagining Persons: Robert Duncan’s Lectures on Charles Olson. His books of poems include The Size of Paradise, Flying Red Horse, Slow Poetry in America (2014), Black Stone (2007), and American Rambler (2000). With Hoa Nguyen, he edited Skanky Possum, a literary zine and book imprint, from 1998 to 2004.